2014-07-01
Original: 2014-07-01 on Saturday Morning Breakfast Cereal
Transcript
Panel 1: An interviewer (a woman) sits across a desk from a job applicant (a blond man, seen from behind).
Interviewer: THANK YOU FOR THE RESUME. FIRST QUESTION: WHAT IS YOUR GREATEST WEAKNESS?
Panel 2: Close on the blond applicant, smiling.
Applicant: I DON'T HAVE ANY. I'M GREAT AT EVERYTHING.
Panel 3: Close on the interviewer, looking alarmed/skeptical.
Panel 4: A wider shot of an office floor with several workers at desks. A speech bubble comes from off-panel.
Voice (off-panel): ALL OF YOU CAN GO HOME. WE FOUND A GUY WITH NO WEAKNESSES.
Votey:
Close-up on the blond applicant's face, deadpan.
Applicant: I DO DROP ACID AT WORK A LOT. IT MAKES MY WORK MORE CREATIVE.
Interviewer: THANK YOU FOR THE RESUME. FIRST QUESTION: WHAT IS YOUR GREATEST WEAKNESS?
Panel 2: Close on the blond applicant, smiling.
Applicant: I DON'T HAVE ANY. I'M GREAT AT EVERYTHING.
Panel 3: Close on the interviewer, looking alarmed/skeptical.
Panel 4: A wider shot of an office floor with several workers at desks. A speech bubble comes from off-panel.
Voice (off-panel): ALL OF YOU CAN GO HOME. WE FOUND A GUY WITH NO WEAKNESSES.
Votey:
Close-up on the blond applicant's face, deadpan.
Applicant: I DO DROP ACID AT WORK A LOT. IT MAKES MY WORK MORE CREATIVE.
Alt text
A four-panel comic set in a job interview. Panel 1: a woman interviewer at a desk asks a blond male applicant (shown from behind), "Thank you for the resume. First question: what is your greatest weakness?" Panel 2: a close-up of the smiling applicant replying, "I don't have any. I'm great at everything." Panel 3: a close-up of the interviewer looking alarmed. Panel 4: a wide shot of an open office full of workers at desks as an off-panel voice announces, "All of you can go home. We found a guy with no weaknesses." Votey aftercomic: a black-and-white close-up of the applicant's deadpan face saying, "I do drop acid at work a lot. It makes my work more creative" — revealing the weakness he had been hiding.
Transcribed by Claude Opus 4.8.