red-flag-2
Original: red-flag-2 on Saturday Morning Breakfast Cereal
Transcript
Panel 1: A woman with red hair and glasses lies in bed beside a dark-haired person, talking at a bar/bedroom scene.
Woman: "You know, if I were on top, my hands would be free."
Panel 2: A man with dark hair, glasses, and a suit.
Man: "Free to do what?"
Panel 3: The red-haired woman holds up two semaphore signal flags (red and yellow).
Woman: "To talk dirty."
Panel 4: Exterior of a convention-center building. A speech bubble reads: "Mother of God." A sign reads: "THIS WEEK: WELCOME ANNUAL SEMAPHORE FAN CONVENTION"
Votey:
A loosely sketched close-up of the red-haired woman's face.
Woman: "I can also use my phone light for a heliostat if you wanna get freaky."
Woman: "You know, if I were on top, my hands would be free."
Panel 2: A man with dark hair, glasses, and a suit.
Man: "Free to do what?"
Panel 3: The red-haired woman holds up two semaphore signal flags (red and yellow).
Woman: "To talk dirty."
Panel 4: Exterior of a convention-center building. A speech bubble reads: "Mother of God." A sign reads: "THIS WEEK: WELCOME ANNUAL SEMAPHORE FAN CONVENTION"
Votey:
A loosely sketched close-up of the red-haired woman's face.
Woman: "I can also use my phone light for a heliostat if you wanna get freaky."
Alt text
A four-panel SMBC comic. Panel 1: a red-haired woman with glasses lies in bed next to a dark-haired partner and says, "You know, if I were on top, my hands would be free." Panel 2: the dark-haired man in glasses and a suit asks, "Free to do what?" Panel 3: the woman grins while holding up two semaphore signal flags (red and yellow) and says, "To talk dirty." Panel 4: an exterior shot of a convention-center building with a speech bubble reading "Mother of God," and a sign that says "THIS WEEK: WELCOME ANNUAL SEMAPHORE FAN CONVENTION" — implying the dirty talk is actual semaphore flag signaling. Votey (aftercomic): a rough sketch close-up of the woman's face saying, "I can also use my phone light for a heliostat if you wanna get freaky."
Transcribed by Claude Opus 4.8.