mom
Original: mom on Saturday Morning Breakfast Cereal
Transcript
Panel 1:
A person lies in bed at night. Two nearly identical red-haired women stand on either side of the bed, each pleading.
Woman on the left (off-panel, lying on the floor): DON'T BELIEVE HER! I'M THE REAL MOM! YOU'VE GOT TO UNTIE ME BEFORE IT'S TOO LATE.
Woman on the right (standing): DON'T UNTIE HER! I'M THE REAL MOM!
Caption (below panel): This is the best possible use of a long lost twin.
Votey:
The person in bed: I HAVE TO KILL THEM BOTH.
A person lies in bed at night. Two nearly identical red-haired women stand on either side of the bed, each pleading.
Woman on the left (off-panel, lying on the floor): DON'T BELIEVE HER! I'M THE REAL MOM! YOU'VE GOT TO UNTIE ME BEFORE IT'S TOO LATE.
Woman on the right (standing): DON'T UNTIE HER! I'M THE REAL MOM!
Caption (below panel): This is the best possible use of a long lost twin.
Votey:
The person in bed: I HAVE TO KILL THEM BOTH.
Alt text
A nighttime bedroom scene. A person lies in bed looking distressed. To the right stands a red-haired woman; on the floor to the left lies a nearly identical red-haired woman (the long-lost twin), tied up. The standing woman shouts, 'DON'T UNTIE HER! I'M THE REAL MOM!' while the tied-up woman pleads, 'DON'T BELIEVE HER! I'M THE REAL MOM! YOU'VE GOT TO UNTIE ME BEFORE IT'S TOO LATE.' A caption reads: 'This is the best possible use of a long lost twin.' In the votey aftercomic (a rough sketch of the same person in bed), the person concludes, 'I HAVE TO KILL THEM BOTH.'
Transcribed by Claude Opus 4.8.