2012-10-09
Original: 2012-10-09 on Saturday Morning Breakfast Cereal
Transcript
Panel 1:
Man with red hair: Are you familiar with Zeno's paradox?
Woman: No.
Panel 2:
Woman: I tried reading it but before I could get to the end, I had to get halfway to the end.
Panel 3:
Woman: And before I could get from there to the end, I had to read half the remaining portion. Then half that and half that! How can I read it all if there are infinite points to reach first?!
Panel 4:
Man with red hair: I see... Are you familiar with Plato's metaphor of the cave?
Woman: Only the dim outlines.
Votey:
A stone bust of Plato (labeled PLATO on the base): Heyooooo!
Man with red hair: Are you familiar with Zeno's paradox?
Woman: No.
Panel 2:
Woman: I tried reading it but before I could get to the end, I had to get halfway to the end.
Panel 3:
Woman: And before I could get from there to the end, I had to read half the remaining portion. Then half that and half that! How can I read it all if there are infinite points to reach first?!
Panel 4:
Man with red hair: I see... Are you familiar with Plato's metaphor of the cave?
Woman: Only the dim outlines.
Votey:
A stone bust of Plato (labeled PLATO on the base): Heyooooo!
Alt text
A four-panel comic. A red-haired man and a dark-haired woman talk in a dimly lit room. Panel 1: He asks, "Are you familiar with Zeno's paradox?" She says, "No." Panel 2: She explains, "I tried reading it but before I could get to the end, I had to get halfway to the end." Panel 3: She continues, increasingly worked up, "And before I could get from there to the end, I had to read half the remaining portion. Then half that and half that! How can I read it all if there are infinite points to reach first?!" Panel 4: He says, "I see... Are you familiar with Plato's metaphor of the cave?" She replies, eyes downcast, "Only the dim outlines." The joke turns on the cave allegory's prisoners seeing only dim shadows. Votey: A cartoon stone bust labeled PLATO grins and shouts, "Heyooooo!" celebrating the pun.
Transcribed by Claude Opus 4.8.