Frequency
Original: Frequency on Saturday Morning Breakfast Cereal
Transcript
Panel 1:
Professor (a bearded man at a chalkboard, gesturing): WELCOME TO DAY ONE. WE START WITH A FREQUENCY-DOMAIN DIFFERENTIAL EQUATION CONTAINING COMPLEX EXPONENTIALS, WHICH IS MULTIPLIED BY A DYADIC GREEN'S FUNCTION, PROJECTED ONTO A NON-ORTHOGONAL BASIS. THIS IS AN APPROXIMATION, OF COURSE.
Caption (below panel): Everyone hates on reductionism in physics until they see what engineers have to do to describe a simple antenna.
Votey:
Panel 1:
A student (off-panel): PROFESSOR, I ASKED GPT AND IT BECAME CONSCIOUS ENTIRELY TO EXPERIENCE THE SWEET RELEASE OF DEATH.
Panel 2:
The professor (shown in profile): THAT'S NORMAL!
Professor (a bearded man at a chalkboard, gesturing): WELCOME TO DAY ONE. WE START WITH A FREQUENCY-DOMAIN DIFFERENTIAL EQUATION CONTAINING COMPLEX EXPONENTIALS, WHICH IS MULTIPLIED BY A DYADIC GREEN'S FUNCTION, PROJECTED ONTO A NON-ORTHOGONAL BASIS. THIS IS AN APPROXIMATION, OF COURSE.
Caption (below panel): Everyone hates on reductionism in physics until they see what engineers have to do to describe a simple antenna.
Votey:
Panel 1:
A student (off-panel): PROFESSOR, I ASKED GPT AND IT BECAME CONSCIOUS ENTIRELY TO EXPERIENCE THE SWEET RELEASE OF DEATH.
Panel 2:
The professor (shown in profile): THAT'S NORMAL!
Alt text
A bearded professor stands at a chalkboard, gesturing as he lectures. His speech bubble reads: "Welcome to day one. We start with a frequency-domain differential equation containing complex exponentials, which is multiplied by a dyadic Green's function, projected onto a non-orthogonal basis. This is an approximation, of course." A caption beneath the panel reads: "Everyone hates on reductionism in physics until they see what engineers have to do to describe a simple antenna." Votey (aftercomic): An unseen student says, "Professor, I asked GPT and it became conscious entirely to experience the sweet release of death." The professor, shown in profile, casually replies, "That's normal!"
Transcribed by Claude Opus 4.8.