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cult-2

Original: cult-2 on Saturday Morning Breakfast Cereal

Transcript

Panel 1:
Man (dark-haired): Mary, Mary, I'm trying to reach out. Think about how it looks from the outside.

Panel 2:
Woman (Mary, with reddish/auburn hair): I don't--
Man: The clearest sign that you're in a cult is that members gain status by taking the most absurd views possible, justifying the unjustifiable all in pursuit of an identity.

Panel 3 (close-up on the man's face):
(no dialogue)

Panel 4 (Mary and the man seen from behind/side, facing each other):
(no dialogue)

Panel 5 (close-up on Mary's worried face):
(no dialogue)

Panel 6:
Mary: But I like black licorice! It tastes good!

Panel 7 (close-up on the man's face):
(no dialogue)

Panel 8 (the man, distressed, with Mary beside him):
Man: The Mary I knew is dead.

Votey:
Mary (off-panel, only her speech bubble visible): It's good with salt.
Man (distressed): Poor, poor Mary.

Alt text

An eight-panel SMBC comic. A dark-haired man earnestly confronts an auburn-haired woman named Mary. He says, "Mary, Mary, I'm trying to reach out. Think about how it looks from the outside." As Mary starts to protest ("I don't--"), he lectures her: "The clearest sign that you're in a cult is that members gain status by taking the most absurd views possible, justifying the unjustifiable all in pursuit of an identity." Intercut close-ups show his serious face and Mary looking increasingly anxious. Mary finally bursts out, "But I like black licorice! It tastes good!" The man, looking heartbroken, declares, "The Mary I knew is dead." The joke: he treats her fondness for black licorice as if she'd been lost to a cult. Votey (the bonus aftercomic, in loose black-and-white sketch style): Mary, now off-panel, adds, "It's good with salt," and the man, gazing mournfully into the distance, mutters, "Poor, poor Mary" -- referencing salted black licorice (a Nordic delicacy) as a further sign of how far gone she is.

Transcribed by Claude Opus 4.8.