2009-02-05
Original: 2009-02-05 on Saturday Morning Breakfast Cereal
Transcript
Panel 1 (single panel):
A woman with long brown hair, seen from behind, adjusts a stage spotlight aimed at a man (Charlie) sitting shirtless on a bed in a dim, mood-lit room.
Woman: "THERE WE GO."
Caption (below panel): "Charlie didn't appreciate the mood lighting."
Votey:
Two silhouetted figures face each other against a white background.
Figure on the right (a person in profile): "SO..."
Figure on the left (in profile): "MOOD SHEETS."
A woman with long brown hair, seen from behind, adjusts a stage spotlight aimed at a man (Charlie) sitting shirtless on a bed in a dim, mood-lit room.
Woman: "THERE WE GO."
Caption (below panel): "Charlie didn't appreciate the mood lighting."
Votey:
Two silhouetted figures face each other against a white background.
Figure on the right (a person in profile): "SO..."
Figure on the left (in profile): "MOOD SHEETS."
Alt text
A dimly lit bedroom in mood lighting. A woman with long brown hair, viewed from behind, reaches up to adjust a large industrial stage spotlight on a stand, aiming its bright beam at a shirtless man sitting on a bed across from her. She says, "There we go." The caption below reads: "Charlie didn't appreciate the mood lighting." The joke is that instead of soft romantic lighting, she has set up a harsh, blinding theatrical spotlight. Votey (aftercomic): two simple silhouetted figures face each other on a white background. One says "So..." and the other replies "Mood sheets." — implying the awkward over-literal approach to setting a mood continues.
Transcribed by Claude Opus 4.8.